In Coralie Fargeat's brand-new feminist terror flick The Substance, harmful societal charm specifications are the genuine monsters. They (female objectification, the disposal of "the aged," the expansion of a sector built on body adjustment) feed a beast of a cycle that leads Demi Moore's fading television individuality character Elisabeth https://wearethefleshfans.blogzag.com/74267347/the-substance-2024